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Kansas City, MO 64111

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Kemper Museum is a free art museum in Kansas City, Missouri that presents global contemporary art.

Kemper Museum of Contemporary Art

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Kemper Museum of Contemporary Art acknowledges it resides on the ancestral territory of the Osage, Kaw, and Otoe-Missouria, among other tribal nations forcibly moved to the region such as the Shawnee, Wyandot, Delaware, Potawatomi, Sac and Fox and Kiikaapoi (Kickapoo) nations. We recognize and support the continued vibrancy of Native communities and cultures today who continue to thrive, as well as the inherent sovereignty of tribal nations. We are compelled to serve and advocate for these communities in accordance with our public mission.

Kemper Museum acknowledges and respects the diversity of Native people connected to this land today. Many recognize the land and all beings who live within it as relatives. We acknowledge the earth we inhabit, the waters of the Blue River, the Kansas River, the Missouri River, and the plants, animals, and people supported by them. 

We acknowledge our responsibility to be good caretakers of the land we occupy. 

Click here to learn more about our land acknowledgment process.

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Meet New York-based artist Christian Ruiz Berman at Kemper Museum.

Bar Opens 5 p.m.  |  Artist talk 6 p.m.  | Reception 7 p.m. 

New York-based artist Christian Ruiz Berman (Mexican American, born 1982) draws from personal histories of migration and adaptation in his intricate paintings. His stylistic influences are wide: perspectives and the mood of Japanese ukiyo-e printing; the direct and tragicomic nature of mariachi ballads and Mexican folklore; and the confrontation of Indigenous, European, and Tibetan Buddhist symbology. He remixes traditions of abstraction, realism, and trompe l’oeil into joyous compositions that teem with color and vitality. He draws from personal backgrounds in graphic design and architecture, his Mexican heritage, and narratives of adaptation and migration to create dynamic packed scenes. These guides support Ruiz Berman’s layered methods of working with abstraction and iconography. His work encourages viewers to examine what is exotic and what is commonplace, what is authentic and what is fabricated. 

Ruiz Berman is fascinated by what philosophers like Donna Haraway and Karen Barad call “tentacularity,” an ontology of actions and connections rather than hierarchies of objects. The paintings in this series challenge anthropocentrism (human primacy), and feature mischievous animals that spin connective threads. We are reminded of the interdependence of living organisms, objects, and histories, as well as all the other entangled elements from which reality is constructed. Ruiz Berman’s work is highly influenced by the writing of Gabriel García Márquez (Columbian 1927–2014), who is known for writing in the style of magical realism, where magical or supernatural phenomena are presented as real. Ruiz Berman’s paintings blur the line between supernatural and the natural, familiar world. They bring fables, folk tales, and myths into contemporary social relevance, engaging in a form of visual archaeology that aims to question human progress and hierarchies of visibility.

Artist Talk | Christian Ruiz Berman

Artist Talk: Christian Ruiz Berman