Artists exhibited include Polly Apfelbaum, Ken Aptekar, Christian Boltanski, Petah Coyne, Russell Crotty, Naomi Fisher, Till Freiwald, Jim Hodges, Alex Katz, Nikki S. Lee, Marco Maggi, Fairfield Porter, Lezley Saar, Shahzia Sikander, Do-Ho Suh, Robert Therrien, Wayne Thiebaud, Phoebe Washburn, Bruce Yonemoto, and many others.
Last 6 Months
Hail We Now Sing Joy features a new body of work by Chicago-born, New York-based artist Rashid Johnson, a chapter following his acclaimed exhibition Fly Away at Hauser & Wirth Gallery, New York. This exhibition includes Johnson’s Anxious Audience, large-scale panels of white ceramic tile covered with dozens of agitated faces scrawled in black soap and wax.
This exhibition focuses on a selection of works by identifiable figures of American Pop art, widely known for their signature styles that elevate the meanings of everyday symbols, signs, and subjects.
The structure and concept of the bridge has been a major theme of Iranian-born, Minneapolis-based artist Siah Armajani’s work for decades. In celebration of Armajani’s Kansas City No. 1 (2000), gifted by the Sosland Foundation to the Kemper Museum in honor of the Museum’s twentieth anniversary, the exhibition Siah Armajani: Bridge Builder for the first time presents the artist’s exploration of the structural and philosophical underpinning of bridges since the late 1960s.
Kemper Museum of Contemporary Art is pleased to partner with Charlotte Street Foundation to present the work of Charlotte Street's 2016 Visual Artist Awards Fellows. New works by Madeline Gallucci, Rodolfo Marron III, and Shawn Bitters will be featured in the 2016 Charlotte Street Visual Artist Awards Exhibition opening September 2, 2016 at Kemper at the Crossroads. The exhibition is curated by Kemper Museum's Director of Curatorial Affairs, Erin Dziedzic.
Cut and Paste presents works from the Kemper Museum Permanent Collection that are made using a range of collage techniques, from digital and printed to glued and sewn objects extracted from one context and fashioned into another. Our modern notion of collaging, or papier-collé (French for glued or stuck paper), was ignited in the early twentieth century by artists such as Pablo Picasso (1881–1973) and Georges Braque (1882–1963), who incorporated various text, photographs, found objects, and paper into works of art, resulting in an entirely new medium.