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Kansas City, MO 64111

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Kemper Museum is a free art museum in Kansas City, Missouri that presents global contemporary art.

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Kemper Museum of Contemporary Art acknowledges it resides on the ancestral territory of the Osage, Kaw, and Otoe-Missouria, among other tribal nations forcibly moved to the region such as the Shawnee, Wyandot, Delaware, Potawatomi, Sac and Fox and Kiikaapoi (Kickapoo) nations. We recognize and support the continued vibrancy of Native communities and cultures today who continue to thrive, as well as the inherent sovereignty of tribal nations. We are compelled to serve and advocate for these communities in accordance with our public mission.

Kemper Museum acknowledges and respects the diversity of Native people connected to this land today. Many recognize the land and all beings who live within it as relatives. We acknowledge the earth we inhabit, the waters of the Blue River, the Kansas River, the Missouri River, and the plants, animals, and people supported by them. 

We acknowledge our responsibility to be good caretakers of the land we occupy. 

Click here to learn more about our land acknowledgment process.

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The inspiration for patterns is all around us—from concentric circles rippling from a stone thrown into the water to camouflaged bodies of plants, insects, and animals. Patterns provide elements of texture, elegance, drama, and style that illuminate an artist’s concept. The expressions of everyday life and vibrantly abstracted forms presented in Pattern Scheme evoke qualities of time, balance, repetition, focus, and design that emerge from the unique styles, subjects, and stories of each artist, connected through their varying use of pattern.

In Julie Blackmon’s photographic images PC (2005) and Stolen Kiss (2005), the black-and-white checkered pattern and zebra motif on the floors of the respective images guide the viewer’s eye toward other areas of the print. The saturation of patterns in artist Paula Rego’s pastel Recreation (1996) draws us into the artist’s precarious narrative even before we witness the peculiarities and depth of her subjects. The spontaneity of the narrative is also felt in artist Frank Stella’s Ohonoo (1994) in which he developed a riotous amount of pattern in several layers to illustrate the blending of passages from “Ohonoo,” a chapter from Herman Melville’s 1849 book Mardi, and a Voyage Thither, visualizing the chaotic swirling seacoast of an imagined island. These patterns invite viewers into these artists’ complex imaginations, revealing new areas of investigation within their works.

Pattern Scheme

Roberto Juarez, Flowers and Pearls VI, 2013, color monotype on soft white Somerset book paper, 26 1/4 x 40 inches, Kemper Museum of Contemporary Art, Kansas City, Missouri, Gift of Roberto Juarez and Shark’s Ink. in honor of the 20th Anniversary of the Kemper Museum, 2013.7, © 2013 Roberto Juarez, courtesy of Shark’s Ink, Lyons, CO. Photo: Bud Shark