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Kansas City, MO 64111

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Kemper Museum of Contemporary Art acknowledges it resides on the ancestral territory of the Osage, Kaw, and Otoe-Missouria, among other tribal nations forcibly moved to the region such as the Shawnee, Wyandot, Delaware, Potawatomi, Sac and Fox and Kiikaapoi (Kickapoo) nations. We recognize and support the continued vibrancy of Native communities and cultures today who continue to thrive, as well as the inherent sovereignty of tribal nations. We are compelled to serve and advocate for these communities in accordance with our public mission.

Kemper Museum acknowledges and respects the diversity of Native people connected to this land today. Many recognize the land and all beings who live within it as relatives. We acknowledge the earth we inhabit, the waters of the Blue River, the Kansas River, the Missouri River, and the plants, animals, and people supported by them. 

We acknowledge our responsibility to be good caretakers of the land we occupy. 

Click here to learn more about our land acknowledgment process.

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Characterized by fluid movements, gestural marks, and subjects inspired by music and dance, Free-Flowing celebrates the intuitive style in works from the Kemper Museum’s Permanent Collection.

Wilbur Niewald, Current River II, 1965, oil on canvas, 54 1/2 x 70 1/2 inches, Kemper Museum of Contemporary Art, Kansas City, Missouri, Gift of J. Scott Francis, Kansas City, Missouri, in memory of Sally Kemper Wood, 2011.24 © Wilbur Niewald, courtesy of the artist and Haw Contemporary. Photo: James Allison Photography, 2013

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Free-Flowing: The Inspiration of Improvisation in Works from the Kemper Museum Permanent Collection

Frederick James Brown, Johnnie Hodges, 2005, mixed media on canvas on wood panel, 60 1/8 x 50 1/8 inches, Kemper Museum of Contemporary Art, Kansas City, Missouri, Bebe and Crosby Kemper Collection, Gift of the Enid and Crosby Kemper Foundation, 2008.23 © Frederick J. Brown Trust / Artist’s Rights Society (ARS), New York. Photo: James Allison Photography, 2013