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Bruce Yonemoto | |||
| Born
1949 in San Jose, CA Lives and works in Los Angeles, CA |
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| The Wedding, 1999 | ||||
| two-channel
video projection, screen (byobu) dimensions variable Museum Purchase, Enid and Crosby Kemper and William T. Kemper Acquisition Fund 2001.22a–i |
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| Working with screens, monitors, imagery, objects,
and ideas from video, film, television, and popular culture, Yonemoto examines
recurring themes of memory, the construction of identity, and his third-generation
Japanese-American heritage. Here, he projects clouds and images from a Japanese-Brazilian
wedding onto a traditional Japanese byobu screen, manipulating
our perception through time-lapse and slow-motion photography. |